A drawing from 20+ years back around the time of an earlier gulf conflict. It was an idea I had for a sculpture based on ‘Airfix’ type boys’ assembly kits. These often featured military hardware, ships, planes etc. I made them myself as a youngster. The sculpture would look like the kit for an incident of Collateral Damage.
The work is in pastel with added pieces of torn/cut magazine colour. It is A2 sized.
The USAF Intelligence Targeting Guide defines the term “[the] unintentional damage or incidental damage affecting facilities, equipment, or personnel, occurring as a result of military actions directed against targeted enemy forces or facilities. Such damage can occur to friendly, neutral, and even enemy forces”. Another United States Department of Defence document uses “Unintentional or incidental injury or damage to persons or objects that would not be lawful military targets in the circumstances ruling at the time. Such damage is not unlawful so long as it is not excessive in light of the overall military advantage anticipated from the attack.”
Intent is the key element in understanding the military definition as it relates to target selection and prosecution. Collateral damage is damage aside from that which was intended. Since the dawn of precision guided munitions, military “targeteers” and operations personnel are often considered to have gone to great lengths to minimize collateral damage.
A retrospective look at my work on sculptural themes since 1975.
How we work out where we are and where other things are and where we will end up.
This is my card to send to artist David Sandum in Norway for his ‘twitterart’ project to raise money for children’s books at his local library. If you don’t know about it read here but get your skates on or there won’t be time!
Good luck David – a great idea.
This is a pastel drawing approximately A2 in size with montaged images from my own photography and other layered elements. I was experimenting with gestural mark making and discovered a ghost figure appearing over the door. A tutor once related how Leonardo amongst others looked for found images suggested in clouds, flames, even damp patches on plaster. I don’t know if it is true but I like to think it is. Serendipity in the creative process is magical, but only when it is recognised.
Seeing fellow artists post their life drawing reminded me that I had some of the same tucked away somewhere. This was from a session that I ran with a colleague from a neighbouring school at what was then called the Mappin Gallery in Sheffield. It has since been converted into a ‘state of the art touchy feely button press’ museum. My 5 year old nephew loved it.
Remembering those life drawing sessions and how inspired the students were makes me want to have another go.
A painting / portrait of my father from about 1997
He is a retired lecturer in engineering hence the engine bits and the orthoographic projection.
Acrylic on MDF varnishied. approx A2 i dimension
Pastel drawing A2 in size